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    Yourself You are Ready to Move Up

    The most important person to convince that a gymnast is ready to move to the next level is the gymnast themselves. This means that gymnast should have to have 5-10 no-fall repetitions at each level up to the high beam. This equates to 45 out of 46 or up to 90 out of 90 (although not necessaril

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    For all the skills in any beam skill training progression system, there are the equipment progressions relating to beam height and padding. All skills should be mastered on a line on the floor and progress eventually to the high beam. Depending on the equipment available in the gym, there are a number of intermediate equipment progression levels. They include:

    1. Tape line on floor.
    2. Foam floor beam on mat.
    3. Heavily padded low beam.
    4. Regulation low beam with mats stacked even with beam.
    5. Regulation low beam.
    6. Padded medium beam.
    7. Regulation medium beam.
    8. High beam with beam platform or stacked mats.
    9. Padded high beam.
    10. Regulation high beam with platform mats.
    11. Regulation high beam.

    Master Each Stage before Moving to Next Level

    For safety and personal confidence, the best system is to gain complete mastery at each step of equipment progression. There are some coaches who do not like to include padded beams, especially padded high beams in their progression series, because it returns a crutch that has already been overcome at a lower level. This seems to be generally sound advice except when a gymnast, perhaps, is unable to progress because of fear caused by a fall and can benefit from more steps of progression.

    Prove to Yourself You are Ready to Move Up

    The most important person to convince that a gymnast is ready to move to the next level is the gymnast themselves. This means that gymnast should have to have 5-10 no-fall repetitions at each level up to the high beam. This equates to 45 out of 46 or up to 90 out of 90 (although not necessarily

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    on levels. They include:

    1. Tape line on floor.
    2. Foam floor beam on mat.
    3. Heavily padded low beam.
    4. Regulation low beam with mats stacked even with beam.
    5. Regulation low beam.
    6. Padded medium beam.
    7. Regulation medium beam.
    8. High beam with beam platform or stacked mats.
    9. Padded high beam.
    10. Regulation high beam with platform mats.
    11. Regulation high beam.

    Master Each Stage before Moving to Next Level

    For safety and personal confidence, the best system is to gain complete mastery at each step of equipment progression. There are some coaches who do not like to include padded beams, especially padded high beams in their progression series, because it returns a crutch that has already been overcome at a lower level. This seems to be generally sound advice except when a gymnast, perhaps, is unable to progress because of fear caused by a fall and can benefit from more steps of progression.

    Prove to Yourself You are Ready to Move Up

    The most important person to convince that a gymnast is ready to move to the next level is the gymnast themselves. This means that gymnast should have to have 5-10 no-fall repetitions at each level up to the high beam. This equates to 45 out of 46 or up to 90 out of 90 (although not necessaril

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    Padded high beam.
    10. Regulation high beam with platform mats.
    11. Regulation high beam.

    Master Each Stage before Moving to Next Level

    For safety and personal confidence, the best system is to gain complete mastery at each step of equipment progression. There are some coaches who do not like to include padded beams, especially padded high beams in their progression series, because it returns a crutch that has already been overcome at a lower level. This seems to be generally sound advice except when a gymnast, perhaps, is unable to progress because of fear caused by a fall and can benefit from more steps of progression.

    Prove to Yourself You are Ready to Move Up

    The most important person to convince that a gymnast is ready to move to the next level is the gymnast themselves. This means that gymnast should have to have 5-10 no-fall repetitions at each level up to the high beam. This equates to 45 out of 46 or up to 90 out of 90 (although not necessaril

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    ded beams, especially padded high beams in their progression series, because it returns a crutch that has already been overcome at a lower level. This seems to be generally sound advice except when a gymnast, perhaps, is unable to progress because of fear caused by a fall and can benefit from more steps of progression.

    Prove to Yourself You are Ready to Move Up

    The most important person to convince that a gymnast is ready to move to the next level is the gymnast themselves. This means that gymnast should have to have 5-10 no-fall repetitions at each level up to the high beam. This equates to 45 out of 46 or up to 90 out of 90 (although not necessaril

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    Yourself You are Ready to Move Up

    The most important person to convince that a gymnast is ready to move to the next level is the gymnast themselves. This means that gymnast should have to have 5-10 no-fall repetitions at each level up to the high beam. This equates to 45 out of 46 or up to 90 out of 90 (although not necessarily in a row) successfully stuck skills before gymnasts have to perform the skill on the high beam. This is a seemingly slow but sure method of success. Actually, because of the safety and consistency of this method, in the long run, it is faster and more efficient.

    Know and Overcome Danger Points

    Gymnasts should be trained and aware of the danger points of each skill that they are performing and concentrate on that first and foremost. For example, when performing a back handspring on the beam, the most dangerous mistake would be to miss the hands and land on your head on the beam. The second danger point is missing the first foot and possibly straddling the beam. Once those danger points have been successfully negotiated, the worst that can happen on any beam is a controlled fall. All of these steps should obviously be mastered on a line on the floor before even considering moving the skill to beam.

    Land on the Line

    Thus, when gymnasts begin training on a line on the floor, their first concern should be to always get their hands on the line. When they can get their hands on the line ten out of ten times, they have proved to themselves that they are safe from falling on their head by missing their hands and they can move to mastering the next danger point - missing the first foot.

    Land Your

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